LENDL

TELLINGTON

Working across cinema, photography, and installation, transforming everyday stories into immersive experiences — illuminating how communities forge their own systems of value and inviting audiences to recognize their own complex truths.

Tinkering with time like music — remixing the line between prescribed histories and collective memory.

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That's Why He Made Momma

Documentary Film & Exhibition

A feature documentary and immersive installation examining how one Black family reimagines legacy when their matriarch falls ill and they could lose home.

→ Link to film website

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The Age Of All Women

Documentary Film

Senegal's first female contemporary artist, Younousse Seye, hasn't had an exhibition in 30 years — or a film release in 50. When the art world suddenly rediscovers her, she must reckon with the structures that govern how Black women are remembered.

→ Link to film website

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Dancing Despite

Music Video

A single, unbroken take. A mother. A dance. A quiet act of resistance that says everything words cannot.

→ Watch on Vimeo

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Dos Noemis

short documentary

Two women who share the same name united migrant farmworkers in rural New York and built the state's first Farmworkers Union. A portrait of collective power, commissioned by The LIFT Fund.

→ Watch on Vimeo

PHOTOGRAPHY

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Glou Glou Magazine

Publication & Creative Direction

A wine publication that refuses to take itself seriously — trading elitism for word-of-mouth accessibility. From 2015-2019, I served as Creative Director, working alongside a small team including a graphic designer and independent wine importer to shape the brand's identity from the ground up, resulting in a distinct yet unpretentious storytelling experience.

→ Visit Glou Glou

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BlackStar Projects

Technical & Video Production

For over a decade, I served as Technical Producer for BlackStar Projects (home of the BlackStar Film Festival) — ensuring Black, Brown, and Indigenous cinema reaches the screens and audiences it deserves. My work there spans managing film exhibition as well as producing video content for BlackStar’s film journal, events and the organization's growth and fundraising needs. My implementation of accessibility practices propelled BlackStar to become the second most accessible film festival in the world, according to the 2023 Film Event Accessibility Scorecard.

→ Visit BlackStar

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How Colonial Histories Shape Dreamscapes: Henri Rousseau and Apichatpong Weerasethakul

Lecture + Essay

Originally delivered as a lecture at the Barnes Foundation in Philadelphia, this essay traces the colonial structures behind two artists separated by a century and thousands of miles — a self-taught French toll collector who never left France, and a Thai filmmaker whose work blurs waking life, memory, and dream. A meditation on whose imagination gets to flourish, and at what cost.

→ Read Essay On Substack

APPEARANCES & ACCLAIM

Back to School: Photo Exhibition, Gravy Studio 2015

The Agitators– Photo Exhibition, 5th Annual BlackStar Film Festival | August 2016

Documentary Lab Fellow, Saul Zaentz Innovation Fund at Johns Hopkins University|October 2016

2017 Grant Recipient, Ruby Artist Grant, Deustch Foundation

2020 Grant Recipient, HBO/IFP True Stories Funding Initiative

2020 Grant Recipient, Philadelphia Contemporary Velocity Fund

2020-2023 Resident Artist, Creative Alliance |Baltimore, MD

2021 Fellow, BAVC Mediamaker Fellowship

2021 Emerging Filmmaker Grant Recipient- Independence Public Media Foundation

Semifinalist, Outwin Boochever Portrait Competition 2022, National Portrait Gallery, Smithsonian Institution

2022–2024 Fellow, Firelight Media Documentary Lab

2026 Artist Residency, Sacatar Institute | Bahia, Brazil

“My camera produces visual documents that feel simultaneously like family albums and historical records—images that honor both the person in frame and the communities that shaped them. I refuse to sanitize these complexities for validation, instead presenting communities with all their contradictions intact—showing how decisions deemed illicit by dominant culture often derive from profound love.”


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